Longtime Companion

Longtime Companion

Longtime Companion (1989)

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In the 1980s, when a gay man died of AIDS, newspapers would not name the person he loved as his partner. The obituary might use this careful phrase: longtime companion.

In 1990, a film took that phrase, the polite words that let a paper bury a man without admitting who he was, and made it its title. LONGTIME COMPANION was the first major movie to face the AIDS crisis head on.

It nearly wasn't made. When writer Craig Lucas pitched a story about gay men and the epidemic, one producer told him, "Don't say another word. We're not interested," and hung up the phone. Hollywood would not touch it, so public television paid for it.

The film opens on the July day in 1981 when the New York Times ran its first small notice of a "rare cancer," then returns to one circle of friends each year as the disease takes them one by one.

Bruce Davison earned an Oscar nomination, the Academy's first for a film about AIDS - predating Tom Hanks in Philadelphia by three years. Davison was especially praised for the scene in which he tells his dying partner it is all right to let go.

Norman René, who directed it, died of AIDS in 1996.

About the Film

…a motion picture for everyone

Directed By
Norman René
Runtime
99 minutes
Released
October 11, 1989
Certification
R
Country
United States of America
Starring
Bruce Davison, Campbell Scott, Patrick Cassidy, Mary-Louise Parker, Stephen Caffrey
More Credits
Genres
Drama, Romance
Language
English
Origin
US
Studios
American Playhouse, Companion Productions, The Samuel Goldwyn Company
Written By
Craig Lucas
Produced By
Stan Wlodkowski, Lindsay Law
Cinematography
Anthony Jannelli
Music
Greg De Belles
Also Starring
Dermot Mulroney, John Dossett, Michael Schoeffling, Brian Cousins, Mark Lamos
Box Office
$4,609,953

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Comments

  1. What isn’t much remembered is that Davison’s career had been founded largely on his willingness to portray edgy, immoral, or unpleasant people. He was a sharp, forceful actor. LONGTIME COMPANION was something of a departure from that. He played a quiet, mild-mannered, wealthy, privileged man, the less flamboyant by far of the pair, retiring, less talkative. But he was steady, he had a heart, he did not shrink. The force of his love, after retreating for most of the movie, was a galvanic revelation. He just loved, and felt, and wept, and he broke all our hearts. We forgot about LAST SUMMER and WILLARD, and simply cherished him. He was nominated for an Oscar as Best Supporting Actor, but lost to Joe Pesci in GOODFELLAS.