Three Colors: Red

Three Colors: Red

Three Colors: Red (1994)

The invisible thread of destinies.

Krzysztof Kieślowski · 100 min · Drama, Mystery, Romance

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About the film

Directed by
Krzysztof Kieślowski
Released
May 12, 1994
US theatrical
November 23, 1994
Certification
R
Country
France, Poland, Switzerland
Starring
Irène Jacob, Jean-Louis Trintignant, Frédérique Feder, Jean-Pierre Lorit, Samuel Le Bihan
More credits
Language
French
Origin
FR
Studios
France 3 Cinéma, CAB Productions, Studio Filmowe Tor, TSR, MK2 Productions
Belongs to
Three Colors Collection
Written by
Krzysztof Kieślowski, Krzysztof Piesiewicz
Produced by
Marin Karmitz, Yvon Crenn
Cinematography
Piotr Sobociński
Music
Bertrand Lenclos, Zbigniew Preisner
Also starring
Marion Stalens, Teco Celio, Bernard Escalon, Jean Schlegel, Elżbieta Jasińska
Box office
$4,127,033

Kieślowski called this film the hardest of his trilogy to write, saying he had everything he needed to say something complicated and wasn’t sure he could pull it off.

THREE COLORS: RED (1994) follows Valentine, played by Irène Jacob, a part-time model in Geneva who hits a dog with her car and takes the animal in when its owner, played by Jean-Louis Trintignant, shows no interest in getting it back. She later discovers him eavesdropping on his neighbors’ private telephone conversations, among them Auguste, a law student studying for his exams, whose life begins to mirror the old man’s decades earlier.

Krzysztof Kieślowski directed and co-wrote the film with Krzysztof Piesiewicz, closing out the Three Colors trilogy after Blue and White. Piotr Sobociński’s cinematography saturates the film in red. Zbigniew Preisner’s score ties the film to fraternity, the last of three meditations on French revolutionary ideals. It was nominated for three Academy Awards: Best Director, Best Original Screenplay, and Best Cinematography.

Three Colors: Red became Kieślowski’s final work as director. He announced his retirement from filmmaking at the Cannes premiere and died during heart surgery two years later at the age of 54, leaving this film as the closing statement of a career about chance, connection, and lives that almost touch.

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Source: JustWatch

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