Man Bites Dog

Man Bites Dog (1992)

A killer comedy.

Rémy Belvaux, André Bonzel, Benoît Poelvoorde · 96 min · Comedy, Crime

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About the film

Directed by
Rémy Belvaux, André Bonzel, Benoît Poelvoorde
Released
August 20, 1992
US theatrical
January 15, 1993
Certification
NC-17
Country
Belgium
Starring
Benoît Poelvoorde, Rémy Belvaux, André Bonzel, Jacqueline Poelvoorde-Pappaert, Valérie Parent
More credits
Language
French, Italian
Origin
FR
Studios
Les Artistes Anonymes
Written by
André Bonzel, Benoît Poelvoorde, Vincent Tavier, Rémy Belvaux
Produced by
Rémy Belvaux, André Bonzel, Benoît Poelvoorde
Cinematography
André Bonzel
Music
Jean-Marc Chenut, Laurence Dufrene, Philippe Malempré
Also starring
Édith Le Merdy, Jenny Drye, Malou Madou, Willy Vandenbroeck, Nelly Pappaert
Budget
$33,000
Box office
$205,569

Three film students in Belgium wanted to know what happens when a documentary crew stops being neutral. So they made themselves the answer.

MAN BITES DOG (1992) follows Ben, a charming serial killer, as a film crew tags along recording his murders. Ben holds forth on music, poetry, and the structural weight limits of low-income housing between killings, treating each body like a footnote to his real subject, himself.

Rémy Belvaux, André Bonzel, Benoît Poelvoorde, and Vincent Tavier wrote the film, with Belvaux, Bonzel, and Poelvoorde directing and producing it together on 16mm black and white. Bonzel shot it, Belvaux edited it, and Poelvoorde starred as Ben, with Belvaux and Bonzel appearing as Rémy and André. It won the International Critics' Prize at Cannes.

The joke sours fast. The crew stops observing and starts joining in, taking part in the killings themselves. When Ben brings them to meet his family, Poelvoorde's real parents and grandparents appear in the scene; they thought they were being filmed for a genuine documentary about their son and had no idea they were in a serial killer film. It is the only footage in the movie that actually is a documentary.

It plays as satire of true crime and media complicity, decades before either term was common shorthand. Few debuts have been this confident about how far a joke can be pushed before it stops being one.

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Comments

  1. Never enough recognition of the obvious influence this film had on “The Blair Witch Project”(1999).
    My favourite scene is where they accidentally meet the crew following another serial killer and smash their equipment for being video and not film.