The Wicker Man

The Wicker Man (1973)

Flesh to touch...Flesh to burn! Don't keep the Wicker Man waiting!

Robin Hardy · 93 min · Horror

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About the film

Directed by
Robin Hardy
Released
December 6, 1973
US theatrical
December 21, 2013
Certification
R
Country
United Kingdom
Starring
Edward Woodward, Christopher Lee, Britt Ekland, Diane Cilento, Ingrid Pitt
More credits
Language
English
Origin
GB
Studios
British Lion Films
Written by
Anthony Shaffer, David Pinner
Produced by
Peter Snell
Cinematography
Harry Waxman
Music
Paul Giovanni
Also starring
Roy Boyd, Lesley Mackie, Walter Carr, Irene Sunters, Lindsay Kemp
Budget
$810,000
Box office
$885,371

A devout Christian policeman flies to a remote Scottish island to find a missing girl. The villagers insist she never existed. He finds ritualistic phallic symbols, children taught pagan hymns in school, and a nude woman singing through his bedroom wall. He never once considers turning back.

THE WICKER MAN (1973) sends Sergeant Neil Howie, played by Edward Woodward, into Summerisle, ruled by Christopher Lee's Lord Summerisle, a laird who abandoned Christianity for the old gods. Howie's rigid faith makes him certain he is the one sane man in a village gone mad. His certainty may be his undoing.

Anthony Shaffer's screenplay, based on David Pinner's novel Ritual, treats folk religion with a seriousness horror rarely offers it. The island's May Day rites, the songs, the masks, the processions, are staged with an anthropologist's attention rather than pure spectacle. Britt Ekland's Willow, Diane Cilento's Miss Rose, and Ingrid Pitt's librarian all belong to a community that functions as a single, coherent organism.

Robin Hardy directed it on a modest budget in Scotland, and the result became the founding text of folk horror.

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Comments

  1. An interesting take on pagan fertility customs, the final shot of the title character as the camera pans out is truly horrifying. I refused to see the remake; it seemed like blasphemy to me that someone could do a better job at telling this story with American actors. Like Eggers’ remake of Nosferatu, Give me the artistically brilliant Herzog’s or the frightening B&W Murnau original.