Messiah of Evil

Messiah of Evil (1975)

Terror you won't want to remember—in a film you won’t be able to forget.

Willard Huyck, Gloria Katz · 90 min · Horror, Mystery

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About the film

Directed by
Willard Huyck, Gloria Katz
Released
April 23, 1975
Certification
R
Country
United States of America
Starring
Marianna Hill, Michael Greer, Joy Bang, Anitra Ford, Royal Dano
More credits
Language
English
Origin
US
Studios
V/M Productions
Written by
Gloria Katz, Willard Huyck
Produced by
Willard Huyck, Gloria Katz, Alan Riche
Cinematography
Stephen M. Katz
Music
Phillan Bishop
Also starring
Elisha Cook Jr., Charles Dierkop, Bennie Robinson, Morgan Fisher, Emma Truckman

Before American Graffiti made their names, two screenwriters who co-wrote it for George Lucas made something so strange it barely got released at all.

MESSIAH OF EVIL (1973) was written and directed by Willard Huyck and Gloria Katz, who also gave us Howard the Duck. It follows Arletty Lang, played by Marianna Hill, as she travels to a sleepy coastal town in search of her missing artist father, Joseph Lang, played by Royal Dano. She finds his house filled with disturbing murals and diary pages describing a “blood moon” and a town turning against itself.

The people of the town are not zombies exactly. They eat raw meat in supermarkets, stare too long, and silently fill the empty seats of a movie theater behind a lone viewer. The film creates dread with empty spaces and wrong colors, favoring unease over jump scares.

Elisha Cook Jr. appears as a drunk doomsayer nobody believes. Charles Dierkop plays a gas station attendant caught in the town’s rot.

Shot in 1971, the film was taken out of its makers’ hands, recut, and released with little fanfare. A 1978 reissue as Return of the Living Dead was shut down by George Romero’s lawyers, and it resurfaced later under titles like Dead People and Revenge of the Screaming Dead. Messiah of Evil has since been rediscovered as a landmark of American Lovecraftian horror.

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Comments

      1. Tony Lestat Thank you. The description makes it sound very liminal and quiet, which I love in a movie (Like Let’s Scare Jessica to Death, which I know we both love❤️)
        Had to ask you! You’ve never let me down😘

  1. I LOVE that this horror movie is getting more and more attention the last 2 years. Don’t know why, because up till then the only people I knew about it, learned it from me. I found it in one of those giant DVD collections of old movies, that costs $15. I just watched an essay about it on Nightmare Movies channel on YouTube (I can’t possibly recommend his channel enough). I hadn’t thought about it, but he was talking about how this would be an early example of Liminal Horror, my favorite newer genre of horror. (Backrooms would be a popular current reference point.) there’s so much empty space in this film, and it just enhances everything, and makes it actually disturbing. I wonder what the full version of this would have been like, because this is technically an incomplete film.

  2. I saw this at the Wiltern theater when it was released, then it disappeared and I proceeded to tell everyone about it for years. Just watched it again recently and it sure holds up beautifully.

  3. I’ve watched that movie multiple times and… it’s OK… but I don’t get why people are always hyping it, putting it on lists and whatnot. But I’m not a Fulci fan either so maybe I’m missing the joy.

  4. I love that movie, because it’s so odd and has several highly memorable sequences. But you can really tell the money ran out and they weren’t able to film everything they wanted–it’s got that feel of a project whose plot holes/logic gaps aren’t intentional, and couldn’t be wholly “fixed” in the editing room.

  5. Creepy af. Messiah of Evil is that vintage gem you dream about finding. All the charm and quirkiness of early 70s horror but with a bite (literally) if The Last Man on Earth inspired Night of the Living Dead, then Messiah of Evil could have inspired Dawn of the Dead only imagine the shopping mall zombies got smart and decided to run a small town where their dinner is lured into the local Food Lion or the promise of a good movie at the high street cinema