Liquid Sky

Liquid Sky (1982)

Strange aliens having bizarre orgasms!

Slava Tsukerman · 113 min · Science Fiction, Thriller, Drama

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About the film

Directed by
Slava Tsukerman
Released
August 1, 1982
US theatrical
April 15, 1983
Certification
R
Country
United States of America
Starring
Anne Carlisle, Paula E. Sheppard, Bob Brady, Susan Doukas, Elaine C. Grove
More credits
Language
English
Origin
US
Studios
Z Films Inc.
Written by
Slava Tsukerman, Anne Carlisle, Nina V. Kerova
Produced by
Robert Field, Slava Tsukerman
Cinematography
Yuri Neyman
Music
Brenda I. Hutchinson, Clive Smith, Slava Tsukerman
Also starring
Stanley Knapp, Jack Adalist, Otto von Wernherr, Lloyd Ziff, Harry Lum
Budget
$500,000

Aliens land on the roof in a ship the size of a dinner plate - searching for heroin. They discover something better: the endorphin released by the human brain during orgasm. Everyone who has sex with Margaret dies. Margaret begins to find this useful.

LIQUID SKY (1982) - the title is New York slang for heroin - was written, produced, and directed by Slava Tsukerman, a Soviet-born Jewish filmmaker who had emigrated to New York in 1976 and spent six years absorbing the city before making this film about it.

He wrote it with his wife Nina Kerova and Anne Carlisle, who plays two roles: Margaret, a bisexual model and heroin user, and Jimmy, her sneering androgynous male nemesis.

Production designer Marina Levikova made the wardrobe budget of $500 work through resourcefulness that has since become the stuff of filmmaking legend.

The score was composed using the Fairlight CMI digital synthesiser. The cinematographer Yuri Neyman served simultaneously as special effects director, creating alien POV sequences using video thermal imagery.

Liquid Sky spent twenty-eight weeks on Variety's top-grossing film chart and was the most successful independent film of 1983.

Tsukerman died in Manhattan on February 28, 2026, at the age of 86.

How to see Liquid Sky (1982)

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Comments

  1. This movie has always been genuinely unwatchable due to the stiff acting, grating/abrasive electronic soundtrack, and profoundly unlikable, drug-addict characters. Its visual compositions are fascinating at times, but the shoestring f/x & cinematography budget is painfully apparent.The cast performances are textbook wooden throughout, with incredibly awkward line delivery that comes off as completely amateurish or unintentionally funny, think dialogue from Ed Wood films