King Lear

King Lear (1988)

Jealous love leads to destruction.

Jean-Luc Godard · 91 min · Comedy, Drama

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About the film

Directed by
Jean-Luc Godard
Released
January 22, 1988
Certification
PG
Country
United States of America
Starring
Peter Sellars, Burgess Meredith, Julie Delpy, Leos Carax, Molly Ringwald
More credits
Language
English, French, Japanese, Russian
Origin
US
Studios
The Cannon Group, Golan-Globus Productions
Written by
Jean-Luc Godard
Produced by
Yoram Globus, Menahem Golan
Cinematography
Sophie Maintigneux
Music
Ludwig van Beethoven, Johann Sebastian Bach
Also starring
Jean-Luc Godard, Woody Allen, Freddy Buache, Menahem Golan, Suzanne Lanza
Budget
$1,000,000
Box office
$61,821

He tried to hire Richard Nixon to act in his modernized KING LEAR (1987). Nixon turned him down.

It opens with a voicemail from Menahem Golan, begging director Jean-Luc Godard to finish the film in time for Cannes. It features Peter Sellars (the theatre director) as William Shakespeare Jr. the Fifth, trying to reassemble his ancestor's plays in a world where art was erased after Chernobyl.

Burgess Meredith, replacing a truant Norman Mailer, plays gangster Don Learo. Molly Ringwald is Cordelia. Godard himself portrays Professor Pluggy, wearing a wig made of electrical cables. Woody Allen turns up in the last scene.

Godard later said Allen's and Ringwald's contracts stipulated their names could not be used on the film or in publicity. Cannon had paid for two of the most sellable people in American movies at the time and was legally bound not to mention either.

Godard's King Lear ran under a week in New York and disappeared. France did not see it in a cinema until 2002.

The whole thing had been agreed upon at Cannes two years earlier, on a cocktail napkin.

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Comments

  1. I dutifully went to see it at the Nuart in Los Angeles. Godard’s cinematic humor and energy seemed to have gone slack to me. Godard has gone from depicting modern consciousness to focusing on his own consciousness, as in his last film, which literally takes place within his own brain. King Lear, in which Godard stars, is part of that process.

  2. Godard’s career is an exercise in throwing shit on the wall to see what sticks. Most people figured out what he was up to when he did “Weekend.” But some people will just never give up on “art.’

    1. My cinephile 81YO mother watched Breathless the other night and told me “Don’t bother” after telling me she’d watched it again for probably the first time in 60+ years. Give me Fellini and Bergman all day but some of the New Wave French guys aren’t quite my taste.

  3. An important filmmaker, but my god he’d be the last one I would’ve wanted to have lunch with. I just imagine it would be two or three hours of him monologuing about Marx, 1968 and why cinema is, gasp, an illusion.

    1. Aoaccd Lm at that time, working with him was a high standard, early 90s the scandal was personal, and nothing that had happened during any film production so that wouldn’t have been relevant. Looking back she def has regrets with working with Hughes, who should not have been writing “teen stories” so the bar wasn’t set high for her anyhow. 😆

  4. Very, very strange movie. It certainly has little if anything to do with King Lear, or even Shakespeare. I’m not entirely certain what it had to do with anything. And yet somehow I still got the idea that Godard was actually trying to say something.