Somebody made a horror film inside Walt Disney World and Disneyland without asking Disney. They used tiny cameras, dressed the cast as ordinary tourists, hid the scripts on phones, and just... did it.

ESCAPE FROM TOMORROW premiered at Sundance in 2013. The festival was noticeably cagey about where it had been shot. Everyone assumed Disney's lawyers were about to make it disappear. Instead, Disney essentially said nothing, which was the strangest possible outcome. A corporation that protects its IP with legendary aggression looked at a black-and-white psychological horror film shot illegally on its property and apparently decided that acknowledging it wasn't worth the trouble.

The film itself is shot in stark black and white, which transforms the pastel theme-park world into something genuinely unsettling - a corporate fever dream about a disintegrating father losing his mind during a family vacation. Director Randy Moore even edited it in South Korea, reportedly out of fear Disney might intervene before it was finished.

The whole thing works partly because of what it is and partly because of what it did. You're watching a film that shouldn't exist, shot in a place that should have been impossible to use, that somehow survived because the most powerful entertainment company in the world decided to look the other way.

Apparently, Moore's working on a sequel now: Return from Tomorrow. It'll be interesting to see if Disney turns another blind eye.