The Innocents

The Innocents (1961)

Apparitions? Evils? Corruptions?

Jack Clayton · 100 min · Horror, Mystery

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About the film

Directed by
Jack Clayton
Released
November 24, 1961
US theatrical
December 15, 1961
Certification
NR
Country
United Kingdom
Starring
Deborah Kerr, Peter Wyngarde, Megs Jenkins, Michael Redgrave, Martin Stephens
More credits
Language
English
Origin
GB
Studios
Achilles, 20th Century Fox
Written by
William Archibald, Henry James, Truman Capote
Produced by
Albert Fennell, Jack Clayton
Cinematography
Freddie Francis
Music
Georges Auric
Also starring
Pamela Franklin, Clytie Jessop, Isla Cameron, Eric Woodburn
Budget
$430,000
Box office
$1,200,000

A governess arrives at a country estate to care for two orphaned children, and almost immediately begins to wonder whether the house is haunted, or whether she is the one coming apart.

THE INNOCENTS (1961) stars Deborah Kerr as Miss Giddens, hired by a distant uncle, played by Michael Redgrave, who wants nothing to do with raising his niece and nephew. At Bly, she meets Flora and Miles, played by Pamela Franklin and Martin Stephens, two children whose politeness seems to hide something underneath. Soon she becomes convinced that the ghosts of a former valet and governess, Peter Quint and Miss Jessel, are reaching through the children toward possession.

Jack Clayton directed from a script by William Archibald and Truman Capote, adapting Henry James's The Turn of the Screw. Freddie Francis shot it in wide-screen black and white, filling the frame's edges with shadow and leaving the center exposed, so that every room at Bly feels watched from somewhere just out of sight.

The film has kept audiences unsettled for over sixty years, and what it shows at Bly still separates it from nearly every haunted house film that followed it.

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Comments

  1. William Archibald & Truman Capote’s screenplay preserves the basics of Henry James’ great novel. Jack Clayton’s brilliant direction builds the tension, drawing from Ms. Kerr her finest performance ( and that’s saying a great deal ). It’s the only ghost story where the absence of ghosts is the real horror. It’s # 14 on my list of best movies of the 1960’s.