The Hourglass Sanatorium

The Hourglass Sanatorium (1973)

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Source: JustWatch

A train carries a young man to a sanatorium where time itself has broken down, where the dead are only somewhat dead, kept alive by a delay in the clocks. He has come to see his father, who died years ago, and who is, in this place, still dying, over and over, in a room that never quite ends.

THE HOURGLASS SANATORIUM (1973), or Sanatorium pod Klepsydrą, follows Józef through corridors that open onto his own memories, dreams, and childhood terrors. Jan Nowicki plays Józef, wandering rooms full of wax figures, fallen soldiers, and a father, Jakub, played by Tadeusz Kondrat, who slips between life and death depending on which door Józef opens next.

Wojciech Has directed and co-wrote the film with source material by Bruno Schulz, the Polish-Jewish writer murdered by a Gestapo officer in 1942. Schulz's fiction, dense with decayed grandeur and Jewish provincial life, becomes here a cascade of tableaux: a runaway train of corpses, a blind conductor playing to no one, a synagogue overtaken by birds.

Gustaw Holoubek appears as Dr. Gotard, the sanatorium's keeper, presiding over a place where death is administered in installments rather than delivered outright.

Has shot the film in Poland under state production, and it won the Jury Prize at Cannes in 1973.

Physical media

4K UHDRadianceUPC 5060974683659

UnverifiedNo source recorded

Blu-rayMr BongoUPC 711969121520

UnverifiedNo source recorded

About the film

Directed by
Wojciech Has
Runtime
124 minutes
Released
December 11, 1973
Country
Poland
Starring
Jan Nowicki, Tadeusz Kondrat, Irena Orska, Filip Zylber, Halina Kowalska
More credits
Genres
Drama, Fantasy, Horror
Language
Polish
Origin
PL
Studios
Zespół Filmowy "Silesia"
Written by
Wojciech Has, Bruno Schulz
Cinematography
Witold Sobociński
Music
Jerzy Maksymiuk
Also starring
Gustaw Holoubek, Mieczysław Voit, Bożena Adamek, Ludwik Benoit, Henryk Boukołowski

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Comments

  1. I thought that was kind of a mess when I saw it. Perhaps I loved the literary source material too much. Imho, not at all faithful. (And, obviously, not a great way to judge a movie.) And/but, still. One of my least favorite Polish films, of which I think myself, generally, a great fan.

  2. It was an interesting endeavor but this story is so circuitous, complex, and self-referential that any attempt to actually capture what is happening in the text is bound to fall short of the mark. I’ll give ’em kudos for making the attempt though.