The Addiction

The Addiction

The Addiction (1995)

Share

Where to Watch

Free

With Ads

Source: JustWatch

Physical Media

Blu-rayArrow VideoUPC 760137133889

a member added 9/25/2026

4K UHDArrowUPC 5027035027715

Adam added 9/15/2026

The Guardian's chief film critic Peter Bradshaw named it one of the greatest films of all time. Tokyo Story. Paths of Glory. Raging Bull. Andrei Rublev. Singin' in the Rain. And this 82-minute black-and-white vampire movie that grossed $302,393.

Christopher Walken was offered the male role. He took the one written for a female actor instead, leaving dialog unchanged. Annabella Sciorra, Edie Falco, and Michael Imperioli all appear four years before The Sopranos.

THE ADDICTION (1995) follows Kathleen Conklin (Lili Taylor), a philosophy PhD student at NYU. She is dragged into an alley one night and bitten by a vampire.

Vampirism here is heroin. Kathleen suffers agonizing withdrawal when she doesn't feed, collects and injects blood by syringe, draws others into her dependency.

Nicholas St. John wrote The Addiction. He and director Abel Ferrara grew up together in Peekskill, NY, and collaborated for more than twenty years. After their next project he stopped writing, and he has not given an interview since.

Buried in the credits, as associate producer: Antony Blinken, the future United States Secretary of State.

About the Film

The dark is their sunlight. What makes them different is what keeps them alive.

Directed By
Abel Ferrara
Runtime
82 minutes
Released
October 6, 1995
Certification
NR
Country
United States of America
Starring
Lili Taylor, Christopher Walken, Annabella Sciorra, Edie Falco, Paul Calderon
More Credits
Genres
Drama, Horror
Language
English
Origin
US
Studios
Fast Films
Written By
Nicholas St. John
Produced By
Fernando Sulichin, Denis Hann, Preston L. Holmes, Russell Simmons
Cinematography
Ken Kelsch
Music
Joe Delia
Also Starring
Fredro Starr, Kathryn Erbe, Michael Imperioli, Jamal Simmons, Robert W. Castle
Box Office
$302,393

This website uses TMDB and the TMDB APIs but is not endorsed, certified, or otherwise approved by TMDB.

More like this

Comments

  1. This is one of my favorite vampire films. I mean any excuse to show NYC nights inn black and white, but they really made them a supporting character here. Not just NYC, but the darkness itself.

  2. Personally, in terms of indie movies about vampires as a metaphor for addiction, I’ve always preferred Larry Fessenden’s underrated “Habit.” I think it would be interesting to watch both film as a double feature to see which resonates more with individual viewers.

    1. John Hefner but it’s not just a film about addiction. It’s more a philosophical treaties on the fear of life and then living and the meaning of living at someone who can only survive on death. It’s so good.

  3. I was at the SFFF where this was on the programme. i volunteered, I got to meet Abel Ferrara and Schooly D. I reviewed it for Taste of Cinema- excerpt: After Bad Lieutenant, Abel Ferrara became the bad boy du jour and had so much pull, he could shoot a vampire film in black and white, so he did. Interesting that Ferrara chose vampires as the subject, given that every other film he ever made are about people sucking the blood and life from others and society (and conversely, our utter fascination with them). Lily Taylor as Catherine performs the vampire transformation impeccably, basically because Ferrara is smart enough to understand that the only effect you need is a great actress.

    One of the great cutaway edits of the 90’s is when Catherine injects herself with blood in her bathroom for the first time, and the screen cuts to what looks like a home movie of Lily Taylor as an one year old running and laughing without a care in the world. This is what the first high is like, not a care in the world like a one year old. The cut alone is worth the price of the ticket.

      1. John William Salevurakis I guess I can see the parody aspect of it. Nicholas St. John was a fervent Catholic (he split with Ferrera over “lifestyle” issues) and the ending can be seen as a reinforcement of traditional morality over postmodern navel gazing.

        There’s even a shot where the female vampire played by Sciorra (who mouthed plenty of banalities about will) shies away from contact with the priest, as if confirming the inferiority of her existence.

    1. Erin Lyndal Martin : I will watch anything with Lili Taylor in it .. and I wasn’t disappointed !

      [ flashing on – I’m sure I’ve mentioned – Kelly Reichardt’s RIVER OF GRASS, 1994:

      “oo-wee, imagine a cross between a Kelly Reichardt film and a 90s Indie production !”

      “but that’s what it IS.” ]

  4. To paraphrase a line from Lili’s narration “The old Santayana quote of he who forgets the past is doomed to repeat it is a lie… everything we are is eternally with us” is one of the coldest lines in a script… ever. It stayed with me and hits like a hammer whenever I’m actively pondering human nature. Especially in 2026.

  5. I saw this at a small little theater in Baltimore called The Orpheum. Does not exist anymore but was a really cool little place upstairs in an old house in this historic area. Only had like 100 seats and they showed nothing but old b&w films and indie art stuff like this. Very cool experience.

  6. Genuinely unique and completely fascinating. This was in the theatres for about 2 weeks. I saw it 3 times. Not flawless but utterly brilliant.
    “If you think you know what’s going to happen, just wait and see.”