Repo Man

Repo Man (1984)

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There is a 1964 Chevy Malibu driving around Los Angeles with something in its trunk that turns anyone who opens it into a smoking pile of ash. Every bounty hunter, federal agent, and repo man in the city wants it.

REPO MAN (1984) follows Otto Maddox, a fired supermarket clerk and disillusioned punk played by Emilio Estevez, who stumbles into repossessing cars and finds a strange sort of family among the men who do it. Harry Dean Stanton plays Bud, the veteran who recruits him and lays out a philosophy of repo work that sounds suspiciously like a code for life.

The Malibu belongs to J. Frank Parnell, a nuclear physicist played by Fox Harris, who keeps dead aliens in his trunk and drives with the calm of a man who has seen too much. The government wants the car. The repo men want the four-thousand-dollar bounty on it. Punks, lizards, and a UFO cult all circle in.

Alex Cox wrote and directed the film on a low budget, blending science fiction with the deadpan comedy of Los Angeles punk life in the early 1980s. It plays like a document of a specific time and scene, filtered through repo lots, generic products, and radioactive dread.

The plot barely holds together, and that is the joke. Nothing in this world is meant to make sense, including the ending.

Physical Media

Blu-rayCriterion CollectionUPC 0715515328111

Adam added 9/28/2026 · edited 9/28/2026

4K UHDTwo-disc set (1 BD-100, 1 BD-50)CriterionUnited StatesRegion freeUPC 715515301312

Adam added 9/28/2026 · edited 9/28/2026

DVDCriterion CollectionUPC 715515166317

Adam added 9/28/2026 · edited 9/28/2026

Blu-rayCriterion CollectionUPC 715515104814

Adam added 9/28/2026 · edited 9/28/2026

About the Film

It’s 4 a.m. Do you know where your car is?

Directed By
Alex Cox
Runtime
92 minutes
Released
March 2, 1984
Certification
R
Country
United States of America
Starring
Emilio Estevez, Harry Dean Stanton, Tracey Walter, Olivia Barash, Sy Richardson
More Credits
Genres
Comedy, Science Fiction
Language
English, Spanish
Origin
US
Studios
Edge City Productions
Collection
The Repo Collection
Written By
Alex Cox
Produced By
Peter McCarthy, Michael Nesmith, Jonathan Wacks
Cinematography
Robby Müller
Music
Steven Hufsteter, Tito Larriva
Also Starring
Susan Barnes, Fox Harris, Tom Finnegan, Del Zamora, Eddie Velez
Budget
$1,500,000
Box Office
$2,300,000

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Comments

    1. i believe this because they could not get any grocery store sponsors to pay for product placement possibly?

      One of my all time fave films. Some great dialogue and Harry Dean Stanton in one of his two starring roles plus the bonus of Fox Harris as mad as a fruitcake J Frank Parnell. What’s not to like?

  1. The single most perfect “cult” film ever made. The pacing, the silly multi-layered plot and all of the characters, social commentary and pop culture references are all completely spot on and brilliantly funny.

    It’s basically a Reagan era suburban punk rock science fiction epic satire.

      1. Kathy Omori Duke: The lights are growing dim Otto. I know a life of crime has led me to this sorry fate, and yet, I blame society. Society made me what I am.
        Otto: That’s bullshit. You’re a white suburban punk just like me.
        Duke: Yeah, but it still hurts.

    1. Craig Damage gotta give it up for The Plugz. Those reverb soaked surf style sounds blend seamlessly with scenes. Thinking when Otto gets maxed and left in the road in agony, or the ending road trip, in particular.

  2. There are TWO EDITS of Repo Man. The funniest and most entertaining is the original version. The other version was re-edited and released after the Church of Scientology, a powerful cult, sued to have all the Scientology jokes cut out of the film. This cost the film twenty minutes of its best dialog, and introduced continuity errors. The original version may only be available on VHS. Its so worth it, though.

    1. Dana Weeks The only two edits are original and sanitized TV release you melon farmer! The TV version has ridiculous dubs – “flip you melon farmer”, “flies on spit” etc, and was almost 5 min longer than theatrical release. It also removed one of my personal favorite scenes with Miller – John Wayne was a f*g… Both versions were included on Criterion release ~15 years ago along with deleted scenes and commentary/interviews with director and actors. L. Ron’s minions may have complained about portrayal in film, but no legal action was taken.

  3. Your name’s Otto? What’s your last name, Parts?

    I’ve loved this film since the 80s and still watch it most years. Everything about it is great, from the soundtrack to the wonkiness of the plot.

  4. The OP writer is a FOOL and an ignorant idiot here.
    Of course, the whole movie is a critique of REAGANISM.
    The plot makes total sense to any informed teenager, like I was when I first saw it.

    1. Duncan Kimball A friend of mine got one once. Inventor of the neutron bomb. You’ve heard of the neutron bomb? It kills people but leaves buildings standing. It’s so small it fits into a Suitcase and no one knows it’s there until BLAMMO! Eyes melt, skin explodes, everybody dead. It’s so immoral that working on it can drive you mad. That’s what happened to this friend of mine.

  5. “You’re not a Christian, are you? Or a Communist — I don’t want any Christians or Communists in my car!”—Harry Dean STANTON, in the film
    “They told me not even to *meet* with you!”—Emilio ESTEVEZ, in the The Criterion Collection DVD extras, on his people’s ADVICE upon meeting with the filmmakers in a Thai RESTAURANT (sneaky!!!) to replace, ULTIMATELY, punker Dick RUDE as the *lead*
    “All the other media representations of what punk was got it so *wrong* [unlike ‘Repo MAN’] … that punk was all about a *rejection* of society’s values. It’s not, it’s an *EMBRACE*!!!”—Dick RUDE, himself, on the DVD extras (from MEMORY … )

  6. Great indie flick. Unforgettably bonkers yet heartfelt. Harry Dean Stanton is intense and hilariously inappropriate and gives a dynamic and indelible performance that anchors the whole silly mess.

  7. I have this film memorized. Just saw it on the big screen for the first time at the Paramount Theatre in Austin. Circle Jerks opened and a Q&A with them and Alex Cox (writer/director) Awesome!!

  8. was riding on a concrete slab
    Down the river of useless flab
    It was such a beautiful day
    I heard a witch doctor say
    I’ll turn you into a toadstool
    I’m looking for the joke with a microscope

    I’ll tell you what I am, I’m a Rep Man

  9. Me and my buddies would get drunk and watch it almost every weekend …we would watch it on VHS on a crappy TV… Couldn’t believe how well it was filmed and the beautiful cinematography when I finally saw it on DVD and on a decent TV

  10. I saw it at the Waverly Theater (now IFC) in Greenwich Village at midnight at the release. I will never forget that night, the movie, the audience, it was sublime. I watch it again every chance I get.

  11. It was the end of the hardcore punk days. Knowing we all had to grow up and join the society we despised and rejected. Ultimately the only way out is in an alien ship. Tightest movie ever, every set-up is paid-off. Great writing!

  12. You may find this of interest…The Internet Archive hosts various media files, trailers, and materials related to the 1984 sci-fi cult classic film Repo Man, directed by Alex Cox and starring Emilio Estevez and Harry Dean Stanton.
    Available items on the archive include:
    • The Full Film: A user-uploaded stream and download of the Repoman Movie.
    • Screenplay: A 1982 draft of the Repo Man (1984) Screenplay written by Alex Cox.
    • Trailers and Clips: Multiple theatrical and VHS-era previews, including the Repo Man (1984) VHS Trailer and Repo Man (1984) Trailer HD.
    • Podcasts and Discussions: Fan retrospectives and audio coverage like FTM 720 REPO MAN and spoiler-filled breakdowns.